Now that the dust has settled from a mediocre game with very mediocre advertising, and we’ve been inundated with analysis of both, maybe we can see things for what they are.
Simply put: the Go Daddy spot and the analysis that followed, given by ‘advertising and marketing experts,’ together highlight the absurdity of advertising and agencies. Advertising is meant to be part art and part science... isn’t that what we tell ourselves and our clients? These past few days we’ve seen the man behind the curtain and he ain’t pretty or smart.
A few very clear observations we all should have made:
1. The Go Daddy kissing spot was weak by any measure: not very creative, not well done, average at best. Here’s one way you know this -- all the hype the agency put out about the ad prior to the game tells you that they knew it was ho-hum. They built up the ‘45 minutes of kissing’ with a supermodel in hopes of getting the audience to ‘understand’ the coolness of the concept.
Even more telling, a spokesperson for Go Daddy reported the highest level of phone calls ever during the 24-hours after the ad ran. But s/he wouldn't release any numbers (telling those of us in the industry that this is a little white PR lie).
2. The audacity of some ‘experts’ to claim that, “since we’re still talking about the ad it was successful” is damn nonsense. This is the excuse that advertising losers use to keep their jobs and validate their salaries. If, as an industry, we can’t universally ‘condemn’ the ad for being boring, trite and unimaginative (or better yet, a waste of money) -- then we have no standards by which to judge our work. Rather, we are shysters hiding behind a concept of ‘creativity’ that’s as simplistic as saying, “anything that stands out is good.” If that’s the case, then any 10-year-old can be an ad executive or run an agency.
3. Look, it’s essential to stand out, but that alone is nothing more than being a carnival barker. And for any agency to claim success based on this lowest common denominator is ludicrous. You know, you can ‘stand out’ for being exceptionally stupid or exceptionally crass or exceptionally uninformed. In claiming the lowest ground you are as special as another well-endowed pole dancer in Las Vegas.
4. We either have standards or we’re hacks. Either Picasso is a great artist or his work is no better than any first grader. Either “The Sun Also Rises” is great literature or Barbara Cartland and Ernest Hemingway are just two more pulp fiction writers.
5. Anyone who plays devil’s advocate and claims that “the ad might not have been to your taste but it was successful because we’re still talking about it,” is a fool.
C’mon -- successful executives will tell you that in any meeting you should do something to make your presence known. You don’t want to be anonymous in a room. How, then, to accomplish this? Well, one way would be to prepare for the meeting and ask an intelligent question. Fine. You’ve been remembered. Or you could stand on the table and pull down your pants. That would be very unforgettable. And you’d be a Go Daddy advertising jackass or a partner in Deutsch New York. (The agency is still tap dancing about the ad... rule #1 of PR, never admit you might be wrong.)
NOTE: On one agency site (PPBH) I found this sentence about the Go Daddy ad: “This is the commercial that we all love to hate, but of course can’t help but talk about.” On another site, one ad executive asked if the ad was meant to be 'purposely bad,' and a paradigm of a new style of advertising with built in errors to engage the public.
Do you see what's wrong with agencies?
“Consumers want a new story... authenticity, not spin... participation, not propaganda.”
